(PSM)*: THE MOVEMENT FROM WITHIN
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Analysing the psychological and drama aspects of movement in dance.
Drama expressiveness of movement is studied. It’s not just a “gift” you’re born with. In theatrical training, in addition to the subject of performance, it is essential to study the body movement as an instrument for expression. This subject is called Movement.
In (Psm)*Movement Psychology we integrate and adapt this knowledge, both in the training of dancers and in advising on choreographic creation, so that the body can express more and better what it is dancing.
(PSM)*: THE MOVEMENT FROM WITHIN
.
Analysing the psychological and drama aspects of movement in dance.
Drama expressiveness of movement is studied. It’s not just a “gift” you’re born with. In theatrical training, in addition to the subject of performance, it is essential to study the body movement as an instrument for expression. This subject is called Movement.
In (Psm)*Movement Psychology we integrate and adapt this knowledge, both in the training of dancers and in advising on choreographic creation, so that the body can express more and better what it is dancing.
(Psm)*Movement Psychology integrates three universes as an entity itself in dance.
To the physical that we already know, represented in the external, the form, the choreographic steps themselves, we must integrate the psychological, on the inside of dancers as an expressive instruments, in an ecosystem made up of thoughts, emotions, motivations and intuitions.
And with them delve into the drama area, integrating the physical and the psychological towards the choreography or the character need to express.
The power of a connected movement as an entity itself (outside and inside), manages to make what is danced more coherent and deeper with the issue, it excites and moves the public more.
(Psm)*Movement Psychology integrates three universes as an entity itself in dance.
To the physical that we already know, represented in the external, the form, the choreographic steps themselves, we must integrate the psychological, on the inside of dancers as an expressive instruments, in an ecosystem made up of thoughts, emotions, motivations and intuitions.
And with them delve into the drama area, integrating the physical and the psychological towards the choreography or the character need to express.
The power of a connected movement as an entity itself (outside and inside), manages to make what is danced more coherent and deeper with the issue, it excites and moves the public more.
(Psm)*Movement Psychology is a path that seeks to travel, from our internal reality to the reality to be expressed, to be danced, that which is sought through dance or choreography.
It is a new perspective as a expressive training for dancers because it addresses what is inside you as a artistic instrument, the psychological and drama areas.
Because although we want to leave what happens to you at the door, it is still part of you and it has an influence on movement.
(Psm)*Movement Psychology is a path that seeks to travel, from our internal reality to the reality to be expressed, to be danced, that which is sought through dance or choreography.
It is a new perspective as a expressive training for dancers because it addresses what is inside you as a artistic instrument, the psychological and drama areas.
Because although we want to leave what happens to you at the door, it is still part of you and it has an influence on movement.
It is a way of harnessing mental, emotional and instinctive facets to discover new expressive possibilities. It entails using experience and imagination as tools to grow artistically, because repetition is not the only teacher.
If you do not know what is happening inside you, you will not know how to express what the choreography or character requires of you.
In the words of the creator of the famous Stanislavsky method, a pioneer in systemising the art of performance:
“The artist is a man with all the weaknesses of the human being. When he steps onto the stage it is natural that he bring your daily thoughts, personal feelings, and reflections born of reality with him.
