It is expressiveness that turns technique into emotion. In communication. Managing technical difficulty, by itself, does not make art, it makes very technical dancers. Working on technique is not enough to get a movement to move the public. To do this, you have to study and understand movement as something psychophysical.
It is expressiveness that turns technique into emotion. In communication. Managing technical difficulty, by itself, does not make art, it makes very technical dancers. Working on technique is not enough to get a movement to move the public. To do this, you have to study and understand movement as something psychophysical.
Psychology of movement (Psm)* applies professional theatrical techniques to dance, on the psychological aspect of body movement and the dramatic sense.
Psychology of movement (Psm)* applies professional theatrical techniques to dance, on the psychological aspect of body movement and the dramatic sense.
Movement psychology (Psm)* is an innovative approach that broadens and complements the relationship with dance technique.
Movement psychology (Psm)* tools nurture a profound, inclusive, and necessary change in the ethical and aesthetic approach to work.
Movement psychology (Psm)* is an innovative approach that broadens and complements the relationship with dance technique.
Movement psychology (Psm)* tools nurture a profound, inclusive, and necessary change in the ethical and aesthetic approach to work.
WORK ON EXPRESSIVENESS
“Dancers believe they must be great virtuosos and that we have to do thousands of things. Our muse is always perfection and the extraordinary, however, sometimes the extraordinary lies in simple, genuine things.”
Going with PASOATRES beyond technique and “dancing with dramatic truth” is possible. This is what will mark the artists of the future in auditions, productions, and scenes.
Expressiveness, can and must be worked.
“Dancers believe they must be great virtuosos and that we have to do thousands of things. Our muse is always perfection and the extraordinary, however, sometimes the extraordinary lies in simple, genuine things.”
Going with PASOATRES beyond technique and “dancing with dramatic truth” is possible. This is what will mark the artists of the future in auditions, productions, and scenes.
Expressiveness, can and must be worked.
